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Fairy Tales competition announces winners addressing climate change and sustainability


New York-based online platform Blank Space has announced the winners of the 2019 Fairy Tales competition — the largest annual architecture competition in the world. For its sixth year, the competition drew submissions from over 65 countries that were evaluated by a jury of more than 20 leading architects, designers and storytellers, including the likes of Moshe Safdie, Tatiana Bilbao, Jurgen Mayer, Julia Koerner, Mark Foster Gage and Jane Yolen. The 2019 competition challenged participants to create a text narrative along with images to explore the complex issues of immigration, pollution, climate change, sea level rise and the longevity of human impact.

rendering of wall made from trash with water below it also filled with plastic waste

First prize in the 2019 Fairy Tales competition was awarded to Colombian architects Lorena Cano Acosta and Nicolás Mendoza Ramos for “The Fall,” a dystopian narrative inspired by the mass exodus currently taking place in Venezuela. In Acosta and Mendoza’s dystopian world, Earth has been ravaged by rising sea levels, which have flooded and destroyed entire countries. To protect citizens, governments built barriers and walls out of trash — “The Ecowall” — separating land from water.

rendering of person viewing mountains on a pedestal

The second prize was given to Melbourne-based concept artist and illustrator Nick Stath for his story, “Monuments of the Past.” The narrative is structured as the diary of a father who recounts his day taking his son to see man-made recreations of natural landscapes destroyed by climate change. The images show a Martian landscape, where the father and son travel in astronaut-like suits visiting the Monuments, artificial landscapes erected on floating mega-structures.

Related: Chilling light installation visualizes sea level rise caused by climate change

rendering of man-made island with colorful surface

Third prize went to Brooklyn-based designer Anthony D’Auria for “Kraken in an 80 Million Gallon Tank,” a look into an “uncanny future that is humid and sticky.” D’Auria added, “A future where things have been set in motion and no matter how big we build or how intricately we plan, they cannot be undone. How do we make sense of such a future? How do we live on the tenuous ground that past decisions have engendered? In the end, it all seems pretty hazy.”

+ 2019 Fairy Tales Competition

Images via Blank Space





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