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Nailing monochrome before monochrome was cool.

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It’s almost hard to see how good this outfit is (of note: the leather jacket and amazing belt) because of how damn good that hair is.

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There’s so much happening here: an air tie, a long-hem shirt, and a floral coat. Nailed it.

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A teal suit and graphic tie is quite the move for just any man. But Bowie wasn’t just any man.

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Utterly over-the-top—in the best way possible.

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Bowie’s argument for a bright yellow rollneck is pretty good.

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Come to think of it, his argument for a gray rollneck is just as strong. Here’s Exhibit A.

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This suit kind of looks like it came from Party City, but it’s also kind of amazing. That’s Bowie for you.

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Yes. Yes! 1,000 times yes to this Hawaiian shirt.

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So, so British. And so, so good.

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Oh and he cleans up nice, too.

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Ruffles. Bright red. Powder blue. Sunglasses at night. This look has everything.

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Lest we forget: The man knew a thing or two about tailored clothes.

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From the pale yellow to the exaggerated proportions, this is one stage-worthy suit.

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One of his most iconic Aladdin Sane-era looks.

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The man was a style chameleon—he could do dressed down, dressed up, and over-the-top with equal skill.

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Thin White Duke-era Bowie was especially natty.

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Looking very mod in 1966.

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Making the wide-brimmed hat feel fresh again while touring for Diamond Dogs.

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